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The Theatre of the Self


1. Primary
Roth, Philip.
  • Reading Myself and Others. 1975. 2nd, expanded edition. Harmondsworth: Penguin, 1985.
  • The Ghost Writer. 1979. Roth, Zuckerman Bound 1-130.
  • Zuckerman Unbound. 1981. Roth, Zuckerman Bound 131-292.
  • The Anatomy Lesson. 1983. Roth, Zuckerman Bound 293-506.
  • The Prague Orgy. 1985. Roth, Zuckerman Bound 507-69.
  • Zuckerman Bound. 1985. Harmondsworth: Penguin, 1989.
  • The Counterlife. 1986. Harmondsworth: Penguin, 1988.
  • Patrimony. New York: Simon & Schuster, 1991.
2. Secondary
This is not simply a list of works cited, but of books which have substantially contributed to my understanding of Roth's work, regardless of whether I have quoted them in my paper or not. Works that I only happen to have quoted, but that were not of central importance to my reading of Roth's work (e.g. The Culture of Narcissism) are not included here.
  • Alter, Robert. Necessary Angels: Tradition and Modernity in Kafka, Benjamin, and Scholem. Cambridge, Mass.: Harvard UP; Cincinnati: Hebrew Union College Press, 1991.
  • Bloom, Harold, ed. Philip Roth. Modern Critical Views. New York: Chelsea House, 1986.
  • Finkelstein, Norman. The Ritual of New Creation: Jewish Tradition and Contemporary Literature. SUNY Series in Modern Jewish Literature and Culture. Albany: State University of New York Press, 1992.
  • Jones, Judith Patterson, and Guinevera A. Nance. Philip Roth. Modern Literature Series. New York: Ungar, 1981.
  • Lee, Hermione. Philip Roth. Contemporary Writers. London: Methuen, 1982.
  • Milbauer, Asher Z., and Donald G. Watson, eds. Reading Philip Roth. London: MacMillan, 1988.
  • Rubin, Derek. “Philip Roth and Nathan Zuckerman: Offences of the Imagination.” Dutch Quarterly Review 13.i (1983): 42-54.
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More about Roth:
Roths 'Late Years'
Over Exit Ghost

MA thesis
Vrije Universiteit
January 1994

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